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Frederick Henry, Prince of Orange ID de tableau:: 94938
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Frederick Henry, Prince of Orange Date 1649
TTD Date_1649_
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Self-portrait ID de tableau:: 94939
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Self-portrait Date 17th century
Medium pen on paper
Dimensions 39.2 x 32.2 cm (15.4 x 12.7 in)
TTD Date_17th_century
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Medium_pen_on_paper
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Dimensions_39.2_x_32.2_cm_(15.4_x_12.7_in)
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De Verloochening van Sint Petrus ID de tableau:: 94940
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De Verloochening van Sint Petrus Date 1612-1620
Medium oil on canvas
Dimensions 150 x 197 cm (59.1 x 77.6 in)
TTD Date_1612-1620
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Medium_oil_on_canvas
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Dimensions_150_x_197_cm_(59.1_x_77.6_in)
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Frederick Henry of Nassau, prince of Orange and Stadhouder ID de tableau:: 94941
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Frederick Henry of Nassau, prince of Orange and Stadhouder Oil on canvas, 110 cm x 91 cm
TTD Oil_on_canvas,_110_cm_x_91_cm
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Portrait of William II, Prince of Orange ID de tableau:: 94942
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Portrait of William II, Prince of Orange Date 1651
Medium oil on canvas
Dimensions 110.5 x 86 cm (43.5 x 33.9 in)
TTD Date_1651
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Medium_oil_on_canvas
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Dimensions_110.5_x_86_cm_(43.5_x_33.9_in)
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| Artiste précédent Artiste prochain
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Gerard van Honthorst
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(November 4, 1592 - April 27, 1656), also known as Gerrit van Honthorst and Gherardo della Notte, was a Dutch painter of Utrecht. He was brought up at the school of Abraham Bloemaert, who exchanged the style of the Franckens for that of the pseudo-Italians at the beginning of the 16th century.
Margareta Maria de Roodere and Her Parents by Gerrit van Honthorst (1652) Oil on canvas, 140 x 170 cm. Centraal Museum, UtrechtInfected thus early with a mania which came to be very general in the Netherlands, Honthorst went to Italy in 1616, where he copied the naturalism and eccentricities of Michelangelo da Caravaggio. Home again about 1620, after acquiring a considerable practice in Rome, he set up a school at Utrecht which flourished exceedingly. Together with his colleague Hendrick ter Brugghen, he represented the so-called Dutch Caravaggisti. In 1623 he was president of his gild at Utrecht, where he had married his cousin. He soon became so fashionable that Sir Dudley Carleton, then English envoy at The Hague, recommended his works to the earl of Arundel and Lord Dorchester. In 1626 he received a visit from Rubens, whom he painted as the honest man sought for and found by Diogenes. |
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